Why It’s Okay To Struggle

I have a straw in my mouth that I am humming forcefully into. “HMMMMMMM…HMMMMM…..HMMMMM.” I sound like a deranged duck honking. Nasal. The vibration is jaw-jarring. “HMMMMM….HMMMMMM…..HMMMMMM….”

Face red, lips pursed, straw dangling. It’s not glamorous.

But many of us feel that the “right” life should have a little glamour. We like the idea of effortless perfection and smooth edges. We crave a sense of order, certainty, and elegance. Looking at the whitewash of social media, we think (quite logically) that that is reality. We’re supposed to look like that.

“What no one will tell you is that it’s okay to struggle.” – Chis Chavez, global yoga teacher

I’m blowing through a straw because I have vocal nodes. Vocal nodes are small callouses that develop in your vocal folds due to heavy vocal use. In my case, the heavy use comes from day job as a yoga teacher and teacher trainer, which means a lot of talking. I’m also an opera singer. And if I want to sing again, I have to take time off from hitting high notes and instead blow in straws.

Here are some other examples of unseen struggle:

  • Ballet dancer. The bone fractures, the time off for physio.
  • Perfect mom. The “baby food in hair at 6 AM/shouting at the children” moment.
  • Actors. The team of make up and hair artists manufacturing their beauty for every shot.
  • Yoga Journal. The coaches on the sidelines fixing poses.

With everyone selling the idea of effortless perfection, it’s not surprising that we have started to think it’s bad to show our struggle. We bring this into our yoga practice: we think we’re bad yogis if we fail, fall over, can’t hit handstand, can’t climb into wheel.

“…we’re expected (and sometimes desire) to be perfect, yet we’re not allowed to look as if we’re working for it.” – Brene Brown, Daring Greatly

I’m here to tell you that it’s okay to struggle. In fact, it’s essential. If we spend most of our time thinking that we’ve got to look cool, we’re never going to be able to do the work that will get us out of status quo. Most of life is composed of the grubby, dirty moments where we grunt, fall over, fail, get set back, and need a time out with a teddy bear for comfort. In the yoga practice, it takes years of falling over before we figure out how to get into an arm balance.

Rather than turn these failures into moments of shame, it’s time to celebrate our courage in getting up and trying again. These everyday small acts of faith and courage are the best of the human spirit. It takes great courage because we don’t know if we will ever “get there.” I may not be able to sing again, but I’m going to blow into those damn straws. You may not get handstand, but you show up and you try.

We can’t control the whole world, but we can start with our practices. If your yoga practice has become infected with perfectionism and a “cool kids only” vibe, it’s time to reclaim the authenticity of the struggle. Dare to get deeper into the fire of warrior 2, try the weird arm balance, and fall over in tree. Risk looking like you haven’t got it all figured out.

As you reveal your own struggle, those around you will feel the absolute relief of being able to drop their own perfection masks. We need this.

Let’s start the struggle revolution. Share your humanity. And pour your heart into it.

How To Sequence to Tittibhasana (Insect Pose)

Tittibhasana (insect pose) is very fun pose to try, requiring deep hip flexion, hamstring opening, and a keen sense of balance. Part of the pose requires training the connection between the upper arm and the thigh; by connecting these parts of the body, you can create buoyancy and stability. Candidly, access into this pose (and many of these tighter arm balances) is dictated in part by the structure of the hip joint. Students who have a good deal of hip flexion and longer arms will find it easier to access.

Peak pose: Tittibhasana

Component parts:

  • Hamstring opening
  • Hip flexion
  • Midline (adductor connection, squeezing inner thighs in)
  • Core
  • Hand and wrist education

Here’s the flow sequence I taught. For the sake of simplicity, I am not outlining the transitions. Because it was a flow class, most transitions occurred through vinyasa. I frequently used the “mountain climber” transition from 3-legged dog, where you round forward and draw the knee to the chest or outer upper arm. This action helps to train core, hip flexion, adductor midline, and continued engagement and lift of back leg – all essential in many arm balances.  Linked poses are indicated with “-“.

Use good sequencing sense.

Sequence

  • Sukhasana
  • Surya A x 5
    • taught students to walk to front of mat in small steps, heels down first and palms flat, to begin to train hip lift and open hamstrings
  • Low lunge-half splits flow (to start opening hamstrings)
  • Parsvakonasana with hand to inside of leg (get shoulder inside knee and hug in)
  • Uttanasana, working to get chest to inside of thighs
  • Garudasana – nesting eagle – crescent – lizard (do R/L)
    • Lizard: back leg lifted (trains hip flexion and shoulder/thigh connection, as well as teaches back leg to stay engaged with the back hip lifted).

  • Transition to downward dog by clamping front knee on upper arm and – keeping back thigh lifted – bending front knee to lift up front foot from floor (beginning of eka pada koundinyasana B). You can add a mini chaturanga here.
  • Humble warrior 2 – parsvakonasana with hand inside of leg, trying to bring forearm to the floor – prasarita padottasanana A (R/L)
  • Malasana with twist (to get shoulder/thigh connection) (R/L)
  • Bakasana
  • Crescent – low lunge – hanumanasana with foot reaching slightly diagonally to front corner of mat (to stretch adductor line) (R/L)
  • Flow to low lunge position for eka pada koundinyasana B  (R/L)

  • Peak: Bhujapidasana (with blocks under hands)

  • Tittibhasana (with blocks under hands, big strap loop around feet)
    • Non-weight bearing modification: navasana (boat) with legs working to straight (can bring arms inside legs to approximate tittibhasana)
  • Cool down:
    • baddha konasana (adductor and outer hip stretch)
    • parivrtta janu sirsasana (open side body, stretch adductors) – baby wild thing (stand on bent knee, take arm over head, nice side body stretch and front body opening)
    • reclined twist
    • ananda balasana (happy baby)
    • savasana

Want more? Check out my continuing education courses in Yoga Sequencing and Teaching here.

Yoga Teachers: Should I Create a Teacher Training?

Being a yoga teacher is hard. It’s time to think beyond the class to class grind and create a business strategy that helps you not just survive – but thrive financially. While creating a signature educational program can be a keystone of a successful business strategy, not everyone feels the call the be an educator in this way.

So if you want to make a change in how you’re running your business, you need to ask: Should I create a teacher training program?

There are so many great ways to be a yoga teacher and leader that don’t include a teacher training, such as:

  • creating community through classes,
  • creating a vibrant outreach program,
  • running a retreat centre or specialized yoga travel,
  • offering corporate yoga,
  • offering specialized yoga,
  • yoga privates,
  • offering amazing workshops.

OR, you may wish to be an educator, but you feel your niche will be specializing in continuing education programs, online classes, or online mentorship.

So now’s the time to pause and honestly reflect: what is your mission – as a yoga teacher and as an entrepreneur? Once you have clarified your true purpose, we can consider, how do you get above the daily grind and create a business model that really works.

Check out this great worksheet to clarify your mission as a yoga teacher. Jump in!

If the answer is YES, then it’s time to stop waiting and start doing. Check out how I can help you make it happen.

Live Your Yoga: Making A Decision, Part 3

This is the last part of a three part blog, Live Your Yoga: Making A Decision. Check out Part 1 and Part 2 here.

Making decisions – especially big life decisions – can be very challenging. We can feel pulled in every direction. Which choice is “right?”

The Bhagavad Gita offers us insight into how we can live our yoga in the midst of our daily life struggles and choices. In this epic story, our hero (Arjuna) is counselled by Krishna (his charioteer and the voice of Arjuna’s “higher power”) on how he can live yoga and still take action as a warrior. Yoga isn’t only for peaceful times; it’s for every moment of our lives. Especially those times that seem full of conflict.


The third yogic path that Krishna offers to Arjuna is LOVE.

Now, this is a radical departure from the “meditate/know thyself/think your way into enlightenment” kind of practice everyone had been doing up until this point. Love does not require intellect, action or fancy yoga clothes. There is not barrier to practice, Krishna says, devotion can be expressed with the gift of a leaf. Love simply requires an open heart.

Try this (really, try it, it will only take about 30 seconds):

  • Sit quietly.
  • Bring to mind the face of someone (or something, like a beloved pet) that you love very much.
  • Take ten deep breaths, focusing on what you love about this creature.
  • Breathe, and bring to mind all the little details.

How do you feel?

We are hardwired to connect with others, it’s what gives purpose and meaning to our lives, and without it there is suffering.” – Brene Brown

Isn’t life better when we are just a little bit in love?

The human heart has incredible capacity for love and devotion; when we allow this feeling to permeate our being and infuse our daily actions and relationships, we are able to effortlessly embody qualities such as kindness, forgiveness, generosity, and compassion. When we open our hearts, we can begin to feel the interconnectedness of all beings.

Krishna shares with Arjuna that “everything is Krishna.” Seen from the highest perspective, everything – including us – is part of this Oneness. When we express devotion and love through our daily actions, we can also remember our divine connection to all things. When we remember that we are connected to all things, we can infuse more love into our small daily acts. Love creates more love. Every act becomes a gesture of devotion, a remembrance of our participation in the divine dance.

“All beings are words of God, His music, His art.” = Meister Eckart

Practice:

  • Sit comfortably.
  • Close your eyes.
  • Bring to mind someone or a creature that you love. Think “just like me, you want to be happy.” Repeat this for about a minute.
  • Expand your consciousness to the city around you, all of the inhabitants. Think “just like me, you want to be happy.” Repeat this for about a minute.
  • Gradually expand your consciousness beyond your city to the country, the continent, the world. Think “just like me, you want to be happy.”
  • Feel your love state.
  • Take a few deep breaths and open your eyes.

From this perspective, what is the best choice?

From this perspective, what is right action?

Are you teaching the Bhagavad Gita? Check out my study guide for teachers and students.

How To Find Hope For Humanity In Hard Times

I’ll be honest: the world looks tough right now.

Partisan political fighting, cantankerous global politics, dire climate change, and a frenzied media all make the world feel like a very unfriendly place. Technology is more powerful than ever; we’ve had the capacity for self-annihilation since the 40’s. So it’s worth asking the question: do you think we’ll make it?

What will our future will look like: Terminator or Star Trek?

I’m voting for Star Trek. And here’s why.

We agree upon what a hero looks like.

Go to any movie and you know who the good guys are. You want the bad Terminator to lose and Sarah Connor to win. We cry when the good Terminator self-destructs in order to save the world. We admire the characters who make the “right” choice: they go back for Newt, they fight the Corporation, they bring the Millennium Falcon back to win the battle, or they put themselves in a nuclear reactor to save a starship.

We identify the good guys by traits like honor, bravery, self-sacrifice, integrity and kindness. Something deep in our human soul says, “Yes, that’s how we should be!”

Recognizing these traits is not a 21st century phenomenon; older literature shows the same themes. So does the Bhagavad Gita. And as long as most of humanity recognizes and agrees upon what elevated human behavior looks like, we have a north star to steer towards.

Frankly, we’re pretty clumsy as a species. We screw up, we fall back, we forget, we wimp out. But – and this is the important part – we continue to try. The world is a better place than it was a hundred years ago. Civil rights, gay rights, better medicine, less violence (though you may not know it to watch the news). Slow as it may be, we are making progress. And we must carry on.

Every day that you act a little more like John McClane and a little less like Hans Gruber is a day that you can count yourself a hero of your own story. Your small acts matter. And we need these small acts more than ever. Every heroic choice that you make – and every heroic act that you admire – is a step towards a future where the good guys win.

Vote for Star Trek.

Live Your Yoga: Making A Decision, Part 2

This is part of a three part blog, Live Your Yoga: Making A Decision. Check out Part 1 here.

Making decisions – especially big life decisions – can be very challenging. We can feel pulled in every direction. Which choice is “right?”

The Bhagavad Gita offers us insight into how we can live our yoga in the midst of our daily life struggles and choices. In this epic story, our hero (Arjuna) is counselled by Krishna (his charioteer and the voice of Arjuna’s “higher power”) on how he can live yoga and still take action as a warrior. Yoga isn’t only for peaceful times; it’s for every moment of our lives. Especially those times that seem full of conflict.

Path 2: Karma Yoga

Krishna schools Arjuna on three types of yoga. The second form of yoga, karma yoga, is the yoga of action.

“Yoga is skill in action.”

Krishna dismisses the idea yoga can only happen when we’re meditating. “Aren’t we always in action?” Krishna asks. “No one is free from action.” In other words, rather than avoid choices (“I just won’t do anything!”), we must recognize that living involves action, choice and engagement. We simply can’t avoid it!

This understanding frees us from the idea that yoga “really” happens when we are sitting quietly in meditation, or zonked out in a good Savasana. Yoga isn’t just for the peaceful times; it is for all the times.

Not only that, but we each have a dharma – a life’s purpose – that we must follow and fulfill. Since Arjuna is a warrior, his highest good is fighting. For you, your life’s purpose may be caring for your kids, elevating your community, exploring new worlds, creating connections, or excelling in your work. Your dharma is the thing the compels you, lights you up, aligns with your values, and gives your soul that little “ahhhhh” sound of satisfaction. Your dharma can change over time. At one point your dharma may have involved your work, but now it involves your family. (And don’t worry my friends: for many of us, our dharma sometimes is just figuring out what our damned dharma is!)

However, Krishna cautions that we are going about “action” wrong, which is what causes all of our suffering.

“You have a right to your actions, but never to your actions’ fruit.”

What does he mean?

Krishna is saying that you must act. You have to act. And you are responsible for how you act. However, you cannot control the results of your actions.

Here’s a few examples:

  • You have a huge exam coming up. You study your ass off. You do your best. But you still fail.
  • You feel wronged by a family member. You try to bring up the issue compassionately. It all goes to hell.
  • You have a big work project. You do your best. At the 11th hour, somethings goes wrong and your team misses the deadline.

According to Krishna, success or failure isn’t the point: what is important is that you took action to the best of your ability. The world is far too vast and complex for us to take responsibility for everything that happens. The wise person cultivates equanimity in the face of success or failure.

This part of karma yoga is sometimes misunderstood: it’s not that we don’t care about the result or try our best; it’s that we recognize that we can’t take responsibility for everything that happens.

And here’s a finer point, my friends: sometimes what is beyond our control is actually something that is within ourselves.

Let me give an example.

  • I do my best to have a loving relationship with my family.
  • Everything that is under my conscious control I direct towards the highest purpose of love, connection, and respect.
  • Sometimes I have forgotten myself and gotten really angry and had fights or said dumb things.
  • When I was a kid, I had an argumentative family and sometimes those old habits just seem to come out of nowhere.

Our conscious mind (and the part of us that is connected to aligning with our highest selves and our dharma) is one piece of who we are. But there is a vast part of our mind/body that is unconscious. After all, your heart beat and your blood flows and you can’t really control that. Similarly, you have some deep patterning that your conscious mind is not aware of. And in yoga terms, you’re carrying around karma from your past lives to boot.

So sometimes, we are beyond our own control.

Doing your best may mean that this old patterning surfaces despite your best, conscious intentions. And you must let go of the results even so.

Let me be clear: this does not let us off the hook. We can’t run around acting badly and say, “My karma made me do it.” We are under a divine contract to do our authentic best and learn from our actions. However, what it does mean is that you have to stop beating yourself up for all those times that you feel like you may have fallen short. How much time have we wasted in dwelling in the past? We our missing our ability to do our best in this moment when we get stuck dwelling over something that has gone wrong.

We must accept that we are mysterious sometimes – even to ourselves.

Your job: do your best, and let go of the results.

Try it: Journal

Take ten minutes (yes, ten) and do a free write, stream-of-consciousness about your life’s purpose. See where it takes you.

Try it: Yoga in Action

Today as you move through the world, pause and ask: is this my very best?

  • Set an intention to do all actions according to your personal best.
  • AND (don’t forget) practice letting go of how it turns out.

One last note: Krishna says, “It’s better to do your own dharma poorly than to do someone else’s dharma well.” I love this. Krishna loves you for trying. You do not have to be the best at what you do. You simply have to be your best you. 

And that is enough.

Are you a teacher teaching the Bhagavad Gita? Check out my discussion notes and study guide. 

Check out the new yoga conference coming to Germany!

This week I caught up with Anastasia Shevchenko, founder of the Berlin Yoga Conference which is coming to Germany this May 24-26, 2019. Anyone have a hankering for Europe in the spring?
Anastasia Shevchenko is the founder and the managing director behind the Berlin Yoga Conference and is a freelance yoga teacher. She is a proponent of authentic yoga experience for self-healing and self-transformation. Her special interest lies in the creation of bridges between yoga, philosophy, science, art, and spirituality. Anastasia’s newest passion is to teach yoga teachers how to best apply themselves in this industry.
As a gesture of appreciation, Ana is offering our community a 10% discount on tickets! Promo code: Rachel-yoga

1. Tell us about this conference – why did you create it?

I put together the Berlin Yoga Conference coming May 24-26 2019 because I wanted to create a transformation space for people to experience yoga in an authentic and life-changing way, no matter what level of practice or personal background. This is why all yoga methods are celebrated, without emphasizing any specific one over others, and there is a strong focus on modern yoga philosophy and its connection to the sciences, although the yoga tradition is respected and put into a proper perspective.

Moreover, I wanted to create conditions for socializing, making friends, networking, and just meeting and connecting to people, with or without any specific goals in mind, enjoying the cultural and musical programs together, the communal food breaks, learning and getting inspired from each other, joining and enriching this expanding international yoga community. This basically covers the motto for the Berlin Yoga Conference: Breath – Learn – Connect.

2. What can visitors expect?

I don’t like the word “expectation”, because it almost always involves some kind of faulty precognition, which then makes it more difficult to experience the true present moment in all of its richness. Of course when one is looking at the website and making a decision whether to come or not, one naturally makes some kind of guesses about what the event is going to be about and if it is worth coming or not!
All I can say that at this point is that I’m trying my best to create and communicate a set of circumstances that are behind the project: the vision, the goals, the venue, the presenting teachers, the program, but how it will all play out at the Berlin Yoga Conference in May 2019 is ultimately a mystery, and I would like to leave room for this mystery to unfold and for true magic to happen. I’m absolutely sure that everyone who comes to the event will experience what they ought to experience, depending where they are on their yoga path and what lessons they need to learn about themselves and others.

3. How is this conference different from other events?

Since the Berlin Yoga Conference will happen for the first time in May 2019, it’s hard for me to speak about how it is “different” from other events – since it hasn’t happened yet. However, we did run already two pop up events in the frames of the conference in May, and they were very special events, according to the energy in the room and the subsequent positive feedback that we’ve got. First, each event featured high-quality programming that was very well though-out in terms of the flow and the fit, as well as in terms of the person leading the sessions. Second, these events came across as were touching, moving, and inspirational, across various yoga methods and formats (yoga workshop, meditation sitting, panel discussion, healing session, performance, and communal meals). Third, the community bonding element always did it’s job: people were gently motivated to leave their protective shells behind, and to naturally open up to others, without being forced or persuaded to do so in a “open your heart” kind of way. For me personally, this last point is very important.

4. What makes this conference unique?

To me, it is this sacred transformational community space that I’m set out to create (and that I have created at the Pop up events previously). Coming from a personal background of migration (Ukraine -> Canada -> Germany), living between cultures, languages, and different value systems (Socialist vs. Capitalist), having cured myself from scoliosis and a broken and paralyzed arm, my yoga path was characterized by self-healing, self-empowerment, and subsequent self-transformation. Now, I’m ready to share what I learned, and also to create a space for others to share what they have learned, in a safe, inclusive, diverse, open-minded, well-organized, well-though out (with attention to detail), and friendly kind of environment.
I think of course that the person behind the project has a very strong influence on setting the intention, values, and culture for the project, but I see my task primarily as that of being a hostess, a “holder of space”, a reader of faces and energies, and this is why I decided against teaching at my own event, so that I can dedicate myself entirely to others.

5. What do you think the future of yoga is looking like in Europe?

Wow, that’s a truly great question that I haven’t been asked by anyone yet, and I really appreciate it! I’m so blessed (or cursed, depending on the day) to work on this project and to learn about the yoga industry on the local, national, and international levels. Because I constantly try to connect and collaborate with people, I get a pretty good sense for where the yoga community is at these days: what are the challenges and what are the really cool and inspiring developments. So to answer your question, here’s what I think based on my experiences so far:
  • I see a tendency towards working with the pool of local teachers that are not “international” yoga stars, because the local teachers have much value to offer and are more pleasant to work with, while the “yoga stars” command fees that are too high for the European market. Sure you will still have a couple of very well-established teachers giving workshops here and there, but these will be the people who will have to adopt to the new circumstances and humble down.
  • I think that the Instagram Influencer days are almost over and that the concept is outliving itself and is becoming boring. People are tuning out of the same old pictures of handstands on the beach or arm balances on the top of a mountain, with some quote pasted on top of it and sponsored yoga clothing. On top of that, the new algorithms are making it progressively more difficult to reach people “organically”, and the companies are cutting down their “influencer” budgets.
  • I’m guessing there will be more and more yoga methods and styles created, with all kind of fusions and cross-disciplinary connections (yoga and dance, music, Eastern philosophy and various healing modalities, fitness directions, etc), because of the need of the teachers to, on the one hand, create a unique offer and occupy a niche in the market, and on the other hand – to express themselves creatively and according to their personal background, talents, and skills.
  • I am positive that because there are just too many (and constantly growing in numbers) yoga teachers out there, there will be many more products and services geared towards them and they would quite naturally have to find others ways of supporting themselves by maybe creating their own yoga brands, products, and services as well. There will be an expansion of yoga entrepreneurship and more funds available to this cause, since it is a booming industry, and all-in-all, that’s creating a positive change for the world, in many ways!

6. How can we find out more?

  • For information about the project, the presenters, and the programming, the best is to access the website.
  • To really get updates, news, and exclusive discounts, the best way is still the Newsletter
  • For cool features on the presenters and the programming: Facebook & Instagram
  • And for any questions and offers to work together, always per e-mail: info@berlinyogaconference.org

Live Your Yoga: Making A Decision, Part 1

I have struggled with decisions. Especially the big ones.

Questions such as:

  • should I be a single mom
  • should I stay in this relationship
  • should I leave my job
  • should I end this friendship

Even if we’re not up against a “major” life decision, we face a myriad of choices every day. We all want to make “good” choices. But what does that mean? And how can our yoga practice help?

In this three part blog, we’ll look at the three tools that are unveiled in the The Bhagavad Gita, one of the yoga tradition’s most beloved texts. The Gita is a smaller part of a huge epic called The Mahabharata. 

To set the stage, in the Gita, our hero, Arjuna, is a warrior who is faced with a terrible decision: should he take up arms and fight a battle against his own family? Although his cause is just, the destruction will be great.

Arjuna is our everyman. Just as him, we too are embroiled in our own daily battles. Right now, think of a battle/choice that is currently in your “field.” Pause for a moment to consider your quandary. In our conflicts, the “right” choice is often obscured in ambiguity. All options seem terrible. The outcome is uncertain. How do we choose? And how can we be yogis when our actions may create pain?

Arjuna’s first instinct is to simply not act. He throws down his weapons. (Can you relate to this desire?) Arjuna turns to his friend, Krishna (a god), who is his charioteer to beg for guidance. Once Arjuna has opened himself to instruction, Krishna lays down some wisdom to help guide Arjuna to his best path. Through the Gita, Krishna lays out three paths for being a practicing yogi in the world.

Krishna represents our higher power, our inner voice of wisdom, our inner sage. Even in the midst of battle – perhaps most keenly in the midst of battle – we can uncover our highest self.

Path 1: Jnana Yoga

Simply stated, know your true self.

You are not your thoughts, your feelings, your body, or your ego. You are not the habitual thought/feeling patterns that make up your personality. Rather, the True Self is the power of Consciousness that lies behind all of these mini-dramas and fluctuations. Imagine that you have gone to a movie: as a spectator, you are caught up in the the drama of the story. But that personality on the screen is not you. While that little character is having its dramatic escapades, you are safe in you chair, watching. Your true self is the Witness, the Seer, the Observer.

Try it. You may set a 5-minute timer.

  • Come into a meditation seat and close your eyes.
  • Start to watch your thoughts and feelings arise and go.
  • Can you create space to watch them arise, without getting caught up in them?
  • Who is the Watcher?

When you can begin to watch your thoughts, you will begin to realize just how compulsive your mind actually is! It chases its own tail: reliving victories and defeats, anxiously scrabbling for control, and “hamster-wheeling” through thought cycles. The mind constantly compares. It creates names, labels, judgments and patterns. However, as soon as our minds begin to dissect reality, we lose our ability to experience the totality of what actually IS. Our minds are too busy comparing what we’re experiencing to everything that we have already experienced to take in the present moment unvarnished.

Try this: open experiencing.

  • Take yourself on a walk, preferably outside.
  • Breathe. Take in the world through your senses as it is. You will need to slow down.
  • Experience the world freshly, avoid stories and labels.
  • Stay in the space of open experiencing, without expectation or interpretation.

Once you have settled into the space of the Experiencer (rather than the experience), consider: how does your battle feel now? From your higher perspective, what choice is the most elevated?

Stay tuned for Part 2.

Om City, the Web series

Something super fun is brewing…yoga teachers/actors Jessie Barr and Tom O’Brien have created a web series called Om City detailing the life of a New York yoga teacher as she struggles to help people find their Zen. As a yoga teacher – and a former actor and New Yorker – this project hits close to home and I was inspired to share it out. It’s also hilarious, from the heart, and hits some deep truths about the yoga biz that hurt so good. Tom and I caught up for a quick chat.

How did this start?

Jessie and I met when we were both teaching at Elena Brower’s yoga studio in New York, Virayoga. And at the time, we were engaged (now married) and we are both actor/filmmakers as well as yoga teachers and I had made two feature films ( FairhavenManhattan Romance) and we wanted to make something together and were inspired by the series High Maintenance. They self financed two seasons and then got picked up by HBO.

We were circling around different ideas for a series and were staying away from the yoga world just because we had both always kept these two parts of our lives separate and then we finally decide to go with the age old adage, write what you know. We just thought the storytelling possibilities were endless and we had never seen yoga depicted in the mainstream media in any kind of real way. It’s always broad and over the top and ridiculous. And in OM City we certainly have humor and fun with the yoga world but it’s always based in reality and comes from a place of love. Yoga has definitely changed both of our lives and we met each other through yoga!

How has the response been?

The response to season 1 has been overwhelming, it’s been viewed in 99 countries, we were a critics pick in the New York Times, featured in USA Today’s “Web To Watch” and voted “Best Web Series” by Decider.com and at the 2018 New Media Film Festival in LA. We got messages and comments from all across the globe. The series just seemed to resonate with yogis and non yogis as well. It’s been a really gratifying response and people have been reaching out and saying they want more episodes so that’s why we just launched the season 2 Kickstarter.
We literally released the first season, got married a month later and then moved across the country to LA. So, it’s been a while but we are finally ready and really excited to pick up this story and these characters and make more episodes of OM CITY.

Where can people find you?

All seven episodes of season 1 can be viewed for free on our website: omcityseries.com And if you like it and want to see more episodes please click the Kickstarter link below and make a pledge and share on social media. It’s gonna take a village so we need everybody’s help to make OM CITY Season 2 a reality.
Go check it out!

Yoga Teachers: How Much Should I Be Paid?

At some point, every teacher struggles with the question: how much should I be paid?

Yoga teachers often feel disempowered when it comes to setting pay rates. After all, we are auditioning to teach in a competitive market and usually feel like we need to take what we can get. (If you’re scared about having a heart to heart with your manager about pay rates, read this.) But you must create a business that is sustainable. Even if you’re teaching yoga on the side as a passion project, you should feel adequately compensated for your time and effort. After all, you’ve invested at least $3,000 in yoga tuition, plus all those years of practice.

Based on my 15+ years in the biz, here are some brass tack guidelines.

A caveat: every community is different, and market forces in your community may vary. A teacher may make one salary in NYC and quite another in a rural area in Winnipeg. It’s a good idea to canvas your yogi friends and colleagues in your marketplace to adjust for the financial realities of your particular area.

How Studios Pay

Studios pay their teachers in different ways. These include:

  • set rate for all classes
  • rate based on time (60 minute class is one rate, 75 minute class is another, etc.)
  • per head rate
  • minimum with a per head bonus (ex. you get $15/ class plus $5 for each student after 10)
  • incremental rate (ex. $30 for 1-10 students, $35 for 11-15 students, etc.)
  • percentage split

Established studios will pay a flat rate for their classes because they want to know exactly what their expenses will be each month.

Starting Out

When you’re just starting out, usually there’s a time period of “paying your dues.” For the first year after I graduated from TT, I taught several classes for free in order to get experience ($0/class). I also taught classes for free in order to get a toehold at the studio in which I really wanted to (eventually) teach (again, $0/class). I taught at gyms and small studios where the pay was very low ($20-35/class depending on how many students showed up). After about a year of teaching, I started making what I would call a “new teacher” wage.

Class payrates vary city to city (so adjust accordingly for your market). However, as a general rule, you can expect:

  • brand new teachers “paying dues”: $0-$30
  • new teachers: $30-$40 per class
  • moderately experienced teachers: $40-$60 per class
  • senior teachers: $60-$80 in smaller markets, up to $90 in a larger market such as New York City.

Studio Realities

Unless you’re a corporate entity, running a yoga studio is usually not that profitable. A senior teacher in a prime time slot may look around and think, “There are 30 students here paying $20/class, that’s $600! Why am I only making $60?”

Here’s what the teacher is not seeing:

  • the other five yoga classes that day that only had 6 students (but the studio is still paying the teacher $50/class to show up)
  • even though $20 is the advertised drop in rate, no one is really paying that. With all the memberships and promotions that the studio has to run to stay in business, the real drop in revenue is about $11/head.
  • rent, utilities, insurance, props, staff, laundry, cleaning, marketing: all the other fixed costs that go into running the business
  • the owner needs to pay themselves: usually they’re the last ones to get paid

With all these expenses, the only way out of the “glass ceiling” of class pay rates is to teach at a studio that splits the revenue. For example, we have a by-donation studio here in Vancouver that pays the teacher 70% of the class revenue. I taught for them when they first opened, and it sucked. No one came. I left class with maybe $10 (sometimes $0). But now their business is booming. The teachers who have the primetime slots take home an excellent wage (if there are 30 students paying $10 each, the teacher walks out with $210).

There are very few for-profit studios that run this way (because it’s impossible to budget when you’re paying everyone something different); however, if you’ve hit the glass ceiling at your current studio, it’s worth checking around.

How To Earn More Money

If you want to earn more money as a yoga teacher, you have some other options: privates, corporates, workshops and teacher trainings.

  • Private yoga classes tend to pay more than public classes: $70 (new teacher)-$150 (experienced teacher)
  • Corporates: $100-$300/class (Depending on organization. Work for Facebook and you can even charge more!)
  • Workshops: usually a revenue share with the studio (you should get 70% as the teacher)
  • Trainings: teacher trainings usually charge $3000-$4000/student. If you’re hired by a studio, you may earn $50-$100/hour.

I, of course, specialize in coaching people how to create amazing teacher trainings, so they have a special place in my heart! However, here’s my strong advice: don’t take on any of these options simply for the money! These offerings must align with your vision for yourself as a teacher. If you’re considering alternate branches of revenue, determine first which offerings align with your personal mission as a teacher (Pssstt, you can take this module for free and it includes a section on crafting your mission as a teacher. If you haven’t done that yet, go check it out and just do that part, it’s worth it.)

Tips for Conversations About Money

When you start teaching at a studio, have a candid conversation about pay rates and the process for increases. (If you have a hard time with challenging conversations, check this out. If you want to quickly see how much you’re earning per year based on your hourly class rate, check out this easy calculator.) Unless you’re teaching at a corporate yoga studio or gym, the studio probably won’t have a system in place for reviewing teachers or regulating pay increases. (If you’re working at a corporate yoga studio as an employee, though, they may.) Most teachers are independent contractors and there is little oversight of their work after they are hired. Often the teachers who get pay increases are simply the ones that ask for them. (Although participating in the community, having large classes, and continuing to work on your education may all be factors in your manager’s willingness to say yes.)

When you start teaching at a studio, find out if the studio offers workshops or teacher trainings. If these programs resonate with your teaching mission, it’s a good idea to connect with your manager ASAP to find out how you can apply to be involved.

Last Words

Being a career yoga teacher is challenging.

My hand to god: in my fifteen years of teaching, I had a one-month period of teaching more than twenty classes per week. After that, I said, no thank you. The time spent commuting and the energy output made such a lifestyle unsustainable. I have far preferred to teach 6-10 classes per week and earn my living through other means (albeit within the yoga world as a studio manager, teacher trainer, and educational designer).

There are so many ways to be a yoga teacher; it doesn’t have to look one particular way. Give yourself permission to be creative about your offerings and gives you time for self–care. Let your teaching serve your life.

How To Slow Down Time

We live in a world of “nexting.”

I’m eating breakfast, and thinking about lunch. I’m eating lunch and thinking about dinner. I’m eating any meal, and thinking about the class I have to plan or the client I have to call.

We love to “next”.

While some people blame insta-devices social media for our atrociously short attention spans and rabbity-hopping brains, I believe there is something far simpler and more dreadful at play: we don’t really like to be present.

Being present means that we will slow down. And when we slow down, we start to feel. We feel our heartbreak, our longing, and our intrinsic restlessness. We come face to face with the discomfort of being human in a body we can’t truly control in a universe of uncertain meaning. Rather than sit in this unsettling void, we prefer to distract ourselves with the “what am I doing next” game.

Another feeling that is challenging for us to face? Boredom.

When we get present, the reality of our daily life can feel strange and remarkably humdrum. Oh, here I am cleaning the counters, here I am walking to the store, here I am cleaning a litter box. We are not James Bond; most of our waking hours are spent in tasks that are plainly unexciting. “Is this all there is to my life?” we wonder. “Shouldn’t I be doing something more impressive and adventurous with my time?”

Thus begins a mini-existential crisis: what’s it all mean?

Rather than sit with this disconcerting question, we instinctively return to “nexting.” Like the bunny rabbit that gets freaked out by the wide-open spaciousness of the field, we dive right back into our burrow.

However, if we can endure a mini-existential freak out (even for just a few moments), then our true superpower is revealed: our ability to slow down time. When we become present, we transition from being on a rocket ship to riding in a buggy: life slows down and we can see the world around us. If we can bear to sit in our feelings/boredom/restlessness for just a few moments, we are rewarded by becoming more alive and awake in the world.

Right now, stop the “nexting”. Breathe. Be in your body. Turn on your senses. Give yourself a full minute (set a timer!) to do nothing but be. Embrace the birthright of your superpower. And look around in awe.

Create a 7K Course in One Week! Or, not.

Is anyone else tired of seeing, “I made 7K in my online course!” on every social media feed?

These days, education is big business.

Earn 7K in two weeks!

Increase your passive income!

Make a blockbuster course in three easy steps!

Most of these people who are selling these courses aren’t educators. They’re playing on our desire (old as time and the snake oil salesmen) to get rich quick. They’re riding the gravy train of the latest hot ticket. Who wouldn’t want to sit back and watch 7K roll in without lifting a finger?

But crappy education is still crappy education. And here’s the truth: if you create a lousy course, it will undermine your brand and your reputation.

Most of these “three-step-processes to create your course” are focused on how you get your information out; but very little about how the students get the information in. As a result, there are a lot of really, really bad courses out there, all creating this white noise called “education” when they’re really not. See why this is a problem.

There is an art to education. And it’s not in a three-step process.

I am passionate about education and see it as a pathway to human evolution, tolerance, and kindness. That’s one of the reasons that I spent three years earning my Masters in Instructional Design while I was working a full-time job. I’m a huge fan of the modern proliferation of modern education. We can now disseminate knowledge quickly and globally. Mobile phones make it possible for those without a computer to participate (amazing!). We have access to almost any information we need at our fingertips.

But there is an art to education.It’s not just what you teach, it’s how you teach it. And the art of instructional design has a deep and rich history that has been studied, explored and refined for hundreds of years. If you really want to support your students’ growth (and improve your own reputation as an expert), you want to create a course that is fundamentally sound. Not one that sounds like a sales pitch.

Don’t add to the white noise.

Add to the orchestra.

Don’t create a crappy get-rich-quick course.

Create a smart, transformational, and get-more-rich-over-time course.

Over time, an excellent course will provide an additional source of revenue, bolster your leadership and most importantly, support the growth and knowledge of your community.

That is something worth sharing.

Swedish Death Clean Your Life

Swedish death cleaning:

döstädning: cleaning and de-cluttering before you die

My friend was moving across the country. In preparation for her move, she was sorting her possession into two piles: what would be moved, and what would be sacrificed to the Salvation Army gods. She sighed and blew her hair out of her face as she placed an armful of clothing into the Sally Ann pile, “I am embracing the Swedish death clean,” she declared.

“Pardon, the what?”

“The Swedish death clean,” she said, “it’s when you declutter your life before you die so your heirs don’t have to deal with your crap. But, you know, I am going to embrace it now. I want to get ride of it all!” She looked at her piles, then moved a pair of jeans back in her “keep” box. “Well…most of it.”

Generally speaking, we humans don’t deal well with change. We don’t like letting go. Whether we’re giving up the teddy bear from fourth grade (“I can’t possibly throw Mr. Fuzzy out!”),  moving cities, changing jobs, or ending a relationship, we hate the idea of dissolution.

“Death is hard, even for the wise.” – The Yoga Sutra

When I moved from New York City to Vancouver, I was completely disoriented. All the pillars that I had used to identify myself (“I’m an actor,” “I’m a New Yorker,” “I’m an American,”) were gone. Those anchors had made me feel safe, grounded, and relevant, dammit. Rather than realizing that I was still “me” (no matter where I was or what I was doing), I kept scrambling to try to fix my problem and find something else to hold onto.

The external stuff that we cling to (whether it’s a physical object or a mental idea about who we are) feels very comforting, but it also keeps us stuck in an idea about who we are “supposed” to be.

  • “I’m a doctor.”
  • “I’m a mom.”
  • “I’m a yoga teacher.”

Even worse, you may get stuck in someone else’s idea of who you are supposed be. Uh-oh. And – newsflash – the nature of the world is to change. Trying to keep the external world from changing is a recipe for suffering.

Ignorance is mistaking the impermanent for the permanent. – The Yoga Sutra

Ironically – scrambling to “stay safe” will also keep you from realizing that you are already okay.

It’s like rock climbing. Imagine for a moment that you’re halfway up the rock face and fighting hard to hold onto your climbing rope. You’re terrified of falling and you’re starting to slip. And yet when you are forced to let go, you discover that you were strapped in a safety harness the whole time. Ta-da! But until you dared release your grip, you couldn’t see that everything was fine.

When we let go of our external labels, we discover that we are already whole, safe, and free.

Only to the extent that we expose ourselves over and over to annihilation can that which is indestructible in us be found. – Pema Chodron

Here’s the invitation: Swedish death clean your life.

Do a literal Swedish death clean, and get rid of that box of comics from the 80’s or collection of teaspoons from childhood. Or you could death clean your  habits or relationships. Challenge your comfortable routines.

Shake up your firm and steady ground. Enjoy the free fall. And let your true nature arise.

Three tips for teaching shoulderstand in a group yoga class

First of all, I rarely teach shoulderstand in a public class. Rarely. Let’s say, once a year. Maybe.

Here’s why: in most public class settings, I don’t have enough time or props to set everyone up safely. And by safely, I mean so that the students have enough support to protect their neck and access the proper actions of the pose. Two things get in the way:

  1. our necks don’t bend 90 degrees
  2. our upper backs “fall out” (because our necks don’t bend 90 degrees) and don’t have enough leverage to lift the body up

Take a look: in this photo you can see me doing shoulderstand. Let’s talk about both problems.

The Neck

Don’t be fooled by that measly little blanket in this photo; that’s not a real prop, that’s a piece of propaganda I threw down because I was doing a photoshoot and didn’t have proper supplies. I probably need about three more blankets to support my shoulders properly so that my neck can be a less-than-Exorcist angle.

The neck should not bend at 90 degrees. Full stop. It’s crappy on your ligaments and your blood vessels. And there’s no benefit to doing such an extreme angle (you can practice jalandhara bandha in bridge pose and meditation, I promise).

So just don’t do it. And even if you can do it, don’t make your average Joe student do it.

The Upper Back

The weight in shoulderstand should be on your shoulders – not your neck. When the shoulders aren’t propped, the upper back will round (like we need more of that!) and it’s hard to recruit the thoracic to move in and up to lift the weight of the body. As a result, you start using your hands and arms to hold everything in place like the Leaning Tower of Pisa. This ain’t great, folks.

Even in this pose with me trying my darnedest, you can clearly see that my upper back can’t get up into my body to lift the spine. The plumb line is not happening. I also need to bring my tail in more and my toes away from my nose. But without the proper support of my upper back, it’s hard for me to find lift. Now, I can (sort of) pull this off from years of doing shoulder stand without props in Ashtanga. But for your average student in a public yoga class? In every class of thirty students, you’ll have probably three who are fine popping up there. Everyone else will struggle.

How To Teach It

So, should we toss shoulderstand out the window? No! Shoulderstand is the Queen of the asanas! It’s a great pose, and you can still teach the essence of it in class safely. Here’s how.

1. Teach modifications and variations instead

Rather than teach the full pose (body vertical), teach a modification. For a group class, it’s safer and lot faster. In this age of hour long yoga classes, you probably don’t have time to prop everyone up for their individual structure.

When I’m approaching a challenging pose and trying to think of modifications, I always think, “what’s the purpose of this pose?” When you identify the purpose of the pose, you can create appropriate modifications. For shoulderstand, we are looking for a sustainable inversion. Ideally, an inversion that recruits the upper back and unites the whole body in going up.

My favorite (and safe!) modification is putting the hips on blocks. Blocks are available in almost every yoga class. Voila! Sustainable inversion. Because the body isn’t at a 90 degree angle, the pressure is taken off the neck. This pose is easy to get into (have students start from bridge, then slide blocks under) and to exit.

Caveat: teach the actions of the pose, rather than teach this as a restorative pose. Rather than letting students collapse their upper backs towards the floor, have them incorporate the actions of sarvangasana by actively lifting their chest up (like bridge). They should also squeeze their legs together and stretch up through their inner feet. Teaching this pose as an active modification helps prepare your students for the real pose by teaching them the necessary work in this (more more accessible and safe) position.

Here’s another option: half shoulder stand. I don’t like this one as much because there is no graceful entrance (students throw their legs over their heads) and you can lose the action of the upper back. (Tasha is doing a pretty darn good job, but most of your students will let their upper backs fall to the floor.) In this shape, the weight of the lower body is anchored to the upper back rather than the shoulders, and it’s hard to find the action that you’ll need to do the full version of the pose. However, because the weight is on the upper back, the neck is not forced into full flexion.

And of course, there’s viparita karani.

While this pose is a wonderful sustainable inversion, I don’t love it as a shoulderstand substitute because it does not invite any action into the body. It’s restorative rather than active.

2. Use props

If you’re going to teach the full meal deal, then you’re going to to have to use props. The majority of your students will simply not have access to the flexion in their necks that is necessary (and you don’t really want to encourage that kind of flexion, anyway). See this video on why and how to prop.

If you haven’t taught a propped shoulderstand before, let me recommend that you go and take a series of Iyengar classes. Reading the suggestions below will not be sufficient. These folks are the masters of shoulderstand and you should learn from them.

Shoulderstand is hard to prop because every student has a unique structure and will need different support. As a general rule, you need to props the shoulders enough so that there is a space under the neck for the natural lordotic curve of the cervical spine to remain intact (no flattening of the cervical spine) and the upper back to lift. You also need a thin blanket or washcloth under the back of the head so that the head doesn’t stick to the floor (like against a mat). If a student has tight shoulders, he or she will need more props.

As a general rule, start off your students with the following:

  • at least (at least!) four thick blankets per student (folded neatly, all the edges on one side, here’s a great picture), or
  • four foam blocks plus one blanket, or
  • a bolster under the shoulders (usually high enough, but kind of squishy so you can’t get as much action with the arms to help lift the chest)

Have each student use a strap to help gather and hold their upper arms (just above the elbow) that is pre-measured to be shoulders’ distance apart. They will have to put this on once they’re partway up into the pose and take it off before they come out.

You must also consider a “landing strip,” that is, what is supporting the student’s back before they go up and when they come out? The landing strip should be roughly the same height as their shoulder support. If you have blankets, then usually a 4″ block or two will suffice. If you’re using a bolster, use another bolster place perpendicularly to the first. You don’t want your students to crash down to the floor.

I am a fan of doing this pose at the wall so that you use your legs to get up. Set your students up so that they are a torso’s distance from the wall, and then they do a bridge up the wall. See this video.

3. Teach slow

If you are committed to doing the full version of shoulderstand in a public yoga class, then take the time to do it right. You’ll need at least fifteen minutes. Demonstrate the set up, the entrance, the necessary actions, and the exit. Educate your students why they need to prop to protect their necks so they they aren’t so tempted to throw themselves up and into the pose in other classes.

See this video for a step-by-step on teaching shoulderstand.

Or, instead of all this individual propping, do the first modification (bridge with blocks) and have your students in a safe version of shoulderstand in less than twenty seconds.

Shoot me any questions or concerns in the comments.

Practice safe out there, y’all!